Instrumentation

1 primás (lead violinist) and 13 additional first violinists – 14 musicians in the first violin section in total
6 second violinists
6 viola players
1 cellist
6 double bass players
4 clarinettists
3 cimbalom players

40 musicians in total. The lead violinist is included in the stated size of the first violin section. Guest artists may be arranged separately.

Programme formats and repertoire

We offer standalone stage concerts, festive and themed programmes, cultural events, school demonstrations, background music for events and accompaniment for dancing. The programme is tailored to the occasion, the audience and the booking request.

The repertoire includes traditional Hungarian Gypsy music, csárdás, Hungarian dances, operetta selections and popular classical works. Examples: Ferenc Erkel – Palotás; Brahms – Hungarian Dances; Franz Liszt – Hungarian Rhapsody No. 2; Johann Strauss – The Blue Danube; Vittorio Monti – Csárdás; Grigoraș Dinicu – The Lark.

Individual programme requests, guest artists and the named performers to be advertised are agreed in advance.

Playing time and intervals

Shorter event or demonstration programme: usually 45 minutes.

Standalone concert: usually two 45-minute sets with a 15-minute interval; approximately 105 minutes in total.

The exact playing time, number of sets and breaks are agreed to suit the event.

Stage arrangement

Recommended stage size: 14 metres wide × 6 metres deep. This is a planning recommendation. The final layout and venue suitability are agreed in advance.

Viewed from the audience, the lead violinist stands at the front centre. First violins are on the left, with second violins and violas on the right. The cello is centrally placed behind the lead violinist. The 3 cimbaloms occupy the rear centre, the clarinets the area in front of the cimbaloms and the double basses the rear right.

The stage must be dry, stable and safely accessible. Allow sufficient space between instruments and technical equipment for playing and clear access routes. Loading access and any risers are agreed separately.

Chairs and other equipment

The organiser provides 33 armless chairs. The lead violinist and double bass players perform standing, requiring 7 standing positions in total.

Armless chairs are also suitable for the cimbalom players and cellist; no special seating is required. Music stands are used only by prior request; the required number will be confirmed separately.

Outdoor requirements

A covered stage is required for every outdoor performance. In windy conditions or light rain, enclosed sides must protect the musicians and their instruments.

Outdoor performances with the acoustic instruments are not possible at temperatures below 18 °C. The stage must remain dry and stable. The suitability of the venue and the weather conditions is agreed in advance.

Microphones and sound reinforcement

Amplified performances require 31 orchestra microphones in total:
3 for soloists / lead violinists
6 for first violins
3 for second violins
6 for the 3 cimbaloms – 2 per instrument
2 for clarinets
4 for violas
6 for double basses
1 for the cello

Stand-mounted microphones are the default arrangement. Suspended microphones may be used where suitable rigging is available and the technician agrees this with the orchestra in advance. Microphone types, stands, cabling and the final input list are agreed with the venue technician.

Microphones for guest singers or other additional performers are agreed separately and are additional to these 31 microphones.

A concert hall with suitable acoustics may allow an unamplified performance. Amplification is required in theatre venues and outdoors. The organiser provides a suitable PA system and sound technician.

Stage monitor placement

7 stage monitors are required: 3 at the front of the stage facing the musicians; 1 on each side in the middle of the stage; and 2 behind the orchestra.

Exact positions, monitor mixes and levels are agreed with the venue technician.

Lighting and power supply

The organiser provides suitable stage lighting for the musicians. There are no fixed special lighting requirements; lighting is agreed to suit the venue and the event.

The venue technician plans power supplies, connections, distribution and cabling for the sound and lighting equipment. Cables must not obstruct the musicians or access to the stage.

Load-in, soundcheck and load-out

Indicative timings at the venue:

Loading in and moving into dressing rooms: approximately 35 minutes.

Setting up and adjusting the orchestra sound: approximately 35–40 minutes.

With a guest singer, allow an additional 10–15 minutes depending on their requirements.

Striking and loading out: approximately 45 minutes, including vacating dressing rooms.

No separate sound rehearsal is needed if the sound setup is satisfactory. These are general estimates; arrival, time allowances and changeovers between performers are agreed for the specific ensemble and event.

Travel, dressing room, hospitality and accommodation

The orchestra travels from Budapest. This ensemble travels with 40 musicians; any guest artists or accompanying organiser or manager are included in the total travelling party by separate agreement. We do not bring technical crew; the client provides the venue technician.

Performances are available throughout Hungary, abroad and on multi-day tours. Travel and instrument transport arrangements are set out in the quotation. Please provide loading access and parking as close to the venue as possible.

The organiser provides dressing rooms suitable for the number of musicians. We request mineral water, soft drinks and coffee; sandwiches for longer journeys; and a hot dinner after the concert.

For distant venues or multi-day tours, the client provides accommodation. Room allocation, the number of nights and individual catering needs are agreed in advance.

Enquiries and booking terms

Each performance is quoted individually. Please include the proposed date, venue, event type, chosen ensemble and required playing time in your enquiry. Where possible, contact us one to two months before the event.

The performance is confirmed once both parties have signed the contract. Public announcements may follow confirmation.

Travel and instrument transport may be included in the quotation as agreed. The client provides any required accommodation and covers the fees of requested guest artists. Technical services and other commitments are recorded in the quotation and contract, together with payment, cancellation and weather terms.

Photography, recording and broadcasting

Concert photography, audio or video recording and live streaming are possible by prior mutual agreement between the orchestra and the organiser. Proposed recording, use and publication arrangements must be agreed with Lajos Baranyai.

Contact

Contact for bookings and artistic, organisational or technical enquiries: Lajos Baranyai.

Please use the contact details or booking enquiry form on the Contact page of our website. Arrangements are discussed in Hungarian; assistance is provided for enquiries in other languages.

Instrumentation

1 primás (lead violinist) and 10 additional first violinists – 11 musicians in the first violin section in total
3 second violinists
4 viola players
1 cellist
4 double bass players
4 clarinettists
3 cimbalom players
30 musicians in total. The lead violinist is included in the stated size of the first violin section. Guest artists may be arranged separately.

Programme formats and repertoire

We offer standalone stage concerts, festive and themed programmes, cultural events, school demonstrations, background music for events and accompaniment for dancing. The programme is tailored to the occasion, the audience and the booking request.

The repertoire includes traditional Hungarian Gypsy music, csárdás, Hungarian dances, operetta selections and popular classical works. Examples: Ferenc Erkel – Palotás; Brahms – Hungarian Dances; Franz Liszt – Hungarian Rhapsody No. 2; Johann Strauss – The Blue Danube; Vittorio Monti – Csárdás; Grigoraș Dinicu – The Lark.

Individual programme requests, guest artists and the named performers to be advertised are agreed in advance.

Playing time and intervals

Shorter event or demonstration programme: usually 45 minutes.

Standalone concert: usually two 45-minute sets with a 15-minute interval; approximately 105 minutes in total.

The exact playing time, number of sets and breaks are agreed to suit the event.

Stage arrangement

Recommended stage size: 14 metres wide × 6 metres deep. This is a planning recommendation. The final layout and venue suitability are agreed in advance.

Viewed from the audience, the lead violinist stands at the front centre. First violins are on the left, with second violins and violas on the right. The cello is centrally placed behind the lead violinist. The 3 cimbaloms occupy the rear centre, the clarinets the area in front of the cimbaloms and the double basses the rear right.

The stage must be dry, stable and safely accessible. Allow sufficient space between instruments and technical equipment for playing and clear access routes. Loading access and any risers are agreed separately.

Chairs and other equipment

The organiser provides 25 armless chairs. The lead violinist and double bass players perform standing, requiring 5 standing positions in total.

Armless chairs are also suitable for the cimbalom players and cellist; no special seating is required. Music stands are used only by prior request; the required number will be confirmed separately.

Outdoor requirements

A covered stage is required for every outdoor performance. In windy conditions or light rain, enclosed sides must protect the musicians and their instruments.

Outdoor performances with the acoustic instruments are not possible at temperatures below 18 °C. The stage must remain dry and stable. The suitability of the venue and the weather conditions is agreed in advance.

Microphones and sound reinforcement

Amplified performances require 26 orchestra microphones in total:
3 for soloists / lead violinists
5 for first violins
2 for second violins
6 for the 3 cimbaloms – 2 per instrument
2 for clarinets
3 for violas
4 for double basses
1 for the cello

Stand-mounted microphones are the default arrangement. Suspended microphones may be used where suitable rigging is available and the technician agrees this with the orchestra in advance. Microphone types, stands, cabling and the final input list are agreed with the venue technician.

Microphones for guest singers or other additional performers are agreed separately and are additional to these 26 microphones.

A concert hall with suitable acoustics may allow an unamplified performance. Amplification is required in theatre venues and outdoors. The organiser provides a suitable PA system and sound technician.

Stage monitor placement

7 stage monitors are required: 3 at the front of the stage facing the musicians; 1 on each side in the middle of the stage; and 2 behind the orchestra.

Exact positions, monitor mixes and levels are agreed with the venue technician.

Lighting and power supply

The organiser provides suitable stage lighting for the musicians. There are no fixed special lighting requirements; lighting is agreed to suit the venue and the event.

The venue technician plans power supplies, connections, distribution and cabling for the sound and lighting equipment. Cables must not obstruct the musicians or access to the stage.

Load-in, soundcheck and load-out

Indicative timings at the venue:
Loading in and moving into dressing rooms: approximately 35 minutes.
Setting up and adjusting the orchestra sound: approximately 35–40 minutes.
With a guest singer, allow an additional 10–15 minutes depending on their requirements.
Striking and loading out: approximately 45 minutes, including vacating dressing rooms.

No separate sound rehearsal is needed if the sound setup is satisfactory. These are general estimates; arrival, time allowances and changeovers between performers are agreed for the specific ensemble and event.

Travel, dressing room, hospitality and accommodation

The orchestra travels from Budapest. This ensemble travels with 30 musicians; any guest artists or accompanying organiser or manager are included in the total travelling party by separate agreement. We do not bring technical crew; the client provides the venue technician.

Performances are available throughout Hungary, abroad and on multi-day tours. Travel and instrument transport arrangements are set out in the quotation. Please provide loading access and parking as close to the venue as possible.

The organiser provides dressing rooms suitable for the number of musicians. We request mineral water, soft drinks and coffee; sandwiches for longer journeys; and a hot dinner after the concert.

For distant venues or multi-day tours, the client provides accommodation. Room allocation, the number of nights and individual catering needs are agreed in advance.

Enquiries and booking terms

Each performance is quoted individually. Please include the proposed date, venue, event type, chosen ensemble and required playing time in your enquiry. Where possible, contact us one to two months before the event.

The performance is confirmed once both parties have signed the contract. Public announcements may follow confirmation.

Travel and instrument transport may be included in the quotation as agreed. The client provides any required accommodation and covers the fees of requested guest artists. Technical services and other commitments are recorded in the quotation and contract, together with payment, cancellation and weather terms.

Photography, recording and broadcasting

Concert photography, audio or video recording and live streaming are possible by prior mutual agreement between the orchestra and the organiser.

Proposed recording, use and publication arrangements must be agreed with Lajos Baranyai.

Contact

Contact for bookings and artistic, organisational or technical enquiries: Lajos Baranyai.

Please use the contact details or booking enquiry form on the Contact page of our website. Arrangements are discussed in Hungarian; assistance is provided for enquiries in other languages.

Instrumentation

1 primás (lead violinist) and 8 additional first violinists – 9 musicians in the first violin section in total
3 second violinists
3 viola players
1 cellist
3 double bass players
3 clarinettists
3 cimbalom players

25 musicians in total. The lead violinist is included in the stated size of the first violin section. Guest artists may be arranged separately.

Programme formats and repertoire

We offer standalone stage concerts, festive and themed programmes, cultural events, school demonstrations, background music for events and accompaniment for dancing. The programme is tailored to the occasion, the audience and the booking request.

The repertoire includes traditional Hungarian Gypsy music, csárdás, Hungarian dances, operetta selections and popular classical works. Examples: Ferenc Erkel – Palotás; Brahms – Hungarian Dances; Franz Liszt – Hungarian Rhapsody No. 2; Johann Strauss – The Blue Danube; Vittorio Monti – Csárdás; Grigoraș Dinicu – The Lark.

Individual programme requests, guest artists and the named performers to be advertised are agreed in advance.

Playing time and intervals

Shorter event or demonstration programme: usually 45 minutes.

Standalone concert: usually two 45-minute sets with a 15-minute interval; approximately 105 minutes in total.

The exact playing time, number of sets and breaks are agreed to suit the event.

Stage arrangement

Recommended stage size: 14 metres wide × 4 metres deep. This is a planning recommendation. The final layout and venue suitability are agreed in advance.

Viewed from the audience, the lead violinist stands at the front centre. First violins are on the left, with second violins and violas on the right. The cello is centrally placed behind the lead violinist. The 3 cimbaloms occupy the rear centre, the clarinets the area in front of the cimbaloms and the double basses the rear right.

The stage must be dry, stable and safely accessible. Allow sufficient space between instruments and technical equipment for playing and clear access routes. Loading access and any risers are agreed separately.

Chairs and other equipment

The organiser provides 21 armless chairs. The lead violinist and double bass players perform standing, requiring 4 standing positions in total.

Armless chairs are also suitable for the cimbalom players and cellist; no special seating is required. Music stands are used only by prior request; the required number will be confirmed separately.

Outdoor requirements

A covered stage is required for every outdoor performance. In windy conditions or light rain, enclosed sides must protect the musicians and their instruments.

Outdoor performances with the acoustic instruments are not possible at temperatures below 18 °C. The stage must remain dry and stable. The suitability of the venue and the weather conditions is agreed in advance.

Microphones and sound reinforcement

Amplified performances require 23 orchestra microphones in total:
3 for soloists / lead violinists
4 for first violins
2 for second violins
6 for the 3 cimbaloms – 2 per instrument
2 for clarinets
2 for violas
3 for double basses
1 for the cello

Stand-mounted microphones are the default arrangement. Suspended microphones may be used where suitable rigging is available and the technician agrees this with the orchestra in advance. Microphone types, stands, cabling and the final input list are agreed with the venue technician.

Microphones for guest singers or other additional performers are agreed separately and are additional to these 23 microphones.

A concert hall with suitable acoustics may allow an unamplified performance. Amplification is required in theatre venues and outdoors. The organiser provides a suitable PA system and sound technician.

Stage monitor placement

7 stage monitors are required: 3 at the front of the stage facing the musicians; 1 on each side in the middle of the stage; and 2 behind the orchestra.

Exact positions, monitor mixes and levels are agreed with the venue technician.

Lighting and power supply

The organiser provides suitable stage lighting for the musicians. There are no fixed special lighting requirements; lighting is agreed to suit the venue and the event.

The venue technician plans power supplies, connections, distribution and cabling for the sound and lighting equipment. Cables must not obstruct the musicians or access to the stage.

Load-in, soundcheck and load-out

Indicative timings at the venue:
– Loading in and moving into dressing rooms: approximately 35 minutes.
– Setting up and adjusting the orchestra sound: approximately 35–40 minutes.
– With a guest singer, allow an additional 10–15 minutes depending on their requirements.
– Striking and loading out: approximately 45 minutes, including vacating dressing rooms.

No separate sound rehearsal is needed if the sound setup is satisfactory. These are general estimates; arrival, time allowances and changeovers between performers are agreed for the specific ensemble and event.

Travel, dressing room, hospitality and accommodation

The orchestra travels from Budapest. This ensemble travels with 25 musicians; any guest artists or accompanying organiser or manager are included in the total travelling party by separate agreement. We do not bring technical crew; the client provides the venue technician.

Performances are available throughout Hungary, abroad and on multi-day tours. Travel and instrument transport arrangements are set out in the quotation. Please provide loading access and parking as close to the venue as possible.

The organiser provides dressing rooms suitable for the number of musicians. We request mineral water, soft drinks and coffee; sandwiches for longer journeys; and a hot dinner after the concert.

For distant venues or multi-day tours, the client provides accommodation. Room allocation, the number of nights and individual catering needs are agreed in advance.

Enquiries and booking terms

Each performance is quoted individually. Please include the proposed date, venue, event type, chosen ensemble and required playing time in your enquiry. Where possible, contact us one to two months before the event.

The performance is confirmed once both parties have signed the contract. Public announcements may follow confirmation.

Travel and instrument transport may be included in the quotation as agreed. The client provides any required accommodation and covers the fees of requested guest artists. Technical services and other commitments are recorded in the quotation and contract, together with payment, cancellation and weather terms.

Photography, recording and broadcasting

Concert photography, audio or video recording and live streaming are possible by prior mutual agreement between the orchestra and the organiser. Proposed recording, use and publication arrangements must be agreed with Lajos Baranyai.

Contact

Contact for bookings and artistic, organisational or technical enquiries: Lajos Baranyai.

Please use the contact details or booking enquiry form on the Contact page of our website. Arrangements are discussed in Hungarian; assistance is provided for enquiries in other languages.

Instrumentation

1 primás (lead violinist) and 5 additional first violinists – 6 musicians in the first violin section in total
2 second violinists
2 viola players
1 cellist
2 double bass players
2 clarinettists
2 cimbalom players

17 musicians in total. In the 17-piece ensemble, the lead violinist is additional to the five first violinists. Guest artists may be arranged separately.

Programme formats and repertoire

We offer standalone stage concerts, festive and themed programmes, cultural events, school demonstrations, background music for events and accompaniment for dancing. The programme is tailored to the occasion, the audience and the booking request.

The repertoire includes traditional Hungarian Gypsy music, csárdás, Hungarian dances, operetta selections and popular classical works. Examples: Ferenc Erkel – Palotás; Brahms – Hungarian Dances; Franz Liszt – Hungarian Rhapsody No. 2; Johann Strauss – The Blue Danube; Vittorio Monti – Csárdás; Grigoraș Dinicu – The Lark.

Individual programme requests, guest artists and the named performers to be advertised are agreed in advance.

Playing time and intervals

Shorter event or demonstration programme: usually 45 minutes.

Standalone concert: usually two 45-minute sets with a 15-minute interval; approximately 105 minutes in total.

The exact playing time, number of sets and breaks are agreed to suit the event.

Stage arrangement

Recommended stage size: 14 metres wide × 4 metres deep. This is a planning recommendation. The final layout and venue suitability are agreed in advance.

Viewed from the audience, the lead violinist stands at the front centre. First violins are on the left, with second violins and violas on the right. The cello is centrally placed behind the lead violinist. The 2 cimbaloms occupy the rear centre, the clarinets the rear centre and the double basses the rear right.

The stage must be dry, stable and safely accessible. Allow sufficient space between instruments and technical equipment for playing and clear access routes. Loading access and any risers are agreed separately.

Chairs and other equipment

The organiser provides 14 armless chairs. The lead violinist and double bass players perform standing, requiring 3 standing positions in total
Armless chairs are also suitable for the cimbalom players and cellist; no special seating is required. Music stands are used only by prior request; the required number will be confirmed separately.

Outdoor requirements

A covered stage is required for every outdoor performance. In windy conditions or light rain, enclosed sides must protect the musicians and their instruments.

Outdoor performances with the acoustic instruments are not possible at temperatures below 18 °C. The stage must remain dry and stable. The suitability of the venue and the weather conditions is agreed in advance.

Microphones and sound reinforcement

Amplified performances require 15 orchestra microphones in total:
2 for soloists / lead violinists
2 for first violins
1 for second violins
4 for the 2 cimbaloms – 2 per instrument
1 for clarinets
2 for violas
2 for double basses
1 for the cello

Stand-mounted microphones are the default arrangement. Suspended microphones may be used where suitable rigging is available and the technician agrees this with the orchestra in advance. Microphone types, stands, cabling and the final input list are agreed with the venue technician.

Microphones for guest singers or other additional performers are agreed separately and are additional to these 15 microphones.

A concert hall with suitable acoustics may allow an unamplified performance. Amplification is required in theatre venues and outdoors. The organiser provides a suitable PA system and sound technician.

Stage monitor placement

7 stage monitors are required: 3 at the front of the stage facing the musicians; 1 on each side in the middle of the stage; and 2 behind the orchestra.

Exact positions, monitor mixes and levels are agreed with the venue technician.

Lighting and power supply

The organiser provides suitable stage lighting for the musicians. There are no fixed special lighting requirements; lighting is agreed to suit the venue and the event.

The venue technician plans power supplies, connections, distribution and cabling for the sound and lighting equipment. Cables must not obstruct the musicians or access to the stage.

Load-in, soundcheck and load-out

Indicative timings at the venue:
Loading in and moving into dressing rooms: approximately 35 minutes.
Setting up and adjusting the orchestra sound: approximately 35–40 minutes.
With a guest singer, allow an additional 10–15 minutes depending on their requirements.
Striking and loading out: approximately 45 minutes, including vacating dressing rooms.

No separate sound rehearsal is needed if the sound setup is satisfactory. These are general estimates; arrival, time allowances and changeovers between performers are agreed for the specific ensemble and event.

Travel, dressing room, hospitality and accommodation

The orchestra travels from Budapest. This ensemble travels with 17 musicians; any guest artists or accompanying organiser or manager are included in the total travelling party by separate agreement. We do not bring technical crew; the client provides the venue technician.

Performances are available throughout Hungary, abroad and on multi-day tours. Travel and instrument transport arrangements are set out in the quotation. Please provide loading access and parking as close to the venue as possible.

The organiser provides dressing rooms suitable for the number of musicians. We request mineral water, soft drinks and coffee; sandwiches for longer journeys; and a hot dinner after the concert.
For distant venues or multi-day tours, the client provides accommodation. Room allocation, the number of nights and individual catering needs are agreed in advance.

Enquiries and booking terms

Each performance is quoted individually. Please include the proposed date, venue, event type, chosen ensemble and required playing time in your enquiry. Where possible, contact us one to two months before the event.

The performance is confirmed once both parties have signed the contract. Public announcements may follow confirmation.

Travel and instrument transport may be included in the quotation as agreed. The client provides any required accommodation and covers the fees of requested guest artists. Technical services and other commitments are recorded in the quotation and contract, together with payment, cancellation and weather terms.

Photography, recording and broadcasting

Concert photography, audio or video recording and live streaming are possible by prior mutual agreement between the orchestra and the organiser. Proposed recording, use and publication arrangements must be agreed with Lajos Baranyai.

Contact

Contact for bookings and artistic, organisational or technical enquiries: Lajos Baranyai.

Please use the contact details or booking enquiry form on the Contact page of our website. Arrangements are discussed in Hungarian; assistance is provided for enquiries in other languages.

Instrumentation

1 primás (lead violinist)
1 second violinist
1 viola player
1 cellist
1 double bass player
1 clarinettist
1 cimbalom player

7 musicians in total. The lead violinist is the only player in the first violin section. Guest artists may be arranged separately.

Programme formats and repertoire

We offer standalone stage concerts, festive and themed programmes, cultural events, school demonstrations, background music for events and accompaniment for dancing. The programme is tailored to the occasion, the audience and the booking request.

The repertoire includes traditional Hungarian Gypsy music, csárdás, Hungarian dances, operetta selections and popular classical works. Examples: Ferenc Erkel – Palotás; Brahms – Hungarian Dances; Franz Liszt – Hungarian Rhapsody No. 2; Johann Strauss – The Blue Danube; Vittorio Monti – Csárdás; Grigoraș Dinicu – The Lark.

Individual programme requests, guest artists and the named performers to be advertised are agreed in advance.

Playing time and intervals

Shorter event or demonstration programme: usually 45 minutes.

Standalone concert: usually two 45-minute sets with a 15-minute interval; approximately 105 minutes in total.

The exact playing time, number of sets and breaks are agreed to suit the event.

Stage arrangement

Recommended stage size: 7 metres wide × 3 metres deep. This is a planning recommendation. The final layout and venue suitability are agreed in advance.

Viewed from the audience, the lead violinist stands at the front centre. The second violinist and viola player may sit to either side; cello and clarinet may be placed centrally or to the side. The cimbalom may sit at the rear centre, with the double bass to one side at the rear. The compact arrangement is adapted to maintain sightlines and ensemble communication.

The stage must be dry, stable and safely accessible. Allow sufficient space between instruments and technical equipment for playing and clear access routes. Loading access and any risers are agreed separately.

Chairs and other equipment

The organiser provides 5 armless chairs. The lead violinist and double bass players perform standing, requiring 2 standing positions in total.

Armless chairs are also suitable for the cimbalom players and cellist; no special seating is required. Music stands are used only by prior request; the required number will be confirmed separately.

Outdoor requirements

A covered stage is required for every outdoor performance. In windy conditions or light rain, enclosed sides must protect the musicians and their instruments.

Outdoor performances with the acoustic instruments are not possible at temperatures below 18 °C. The stage must remain dry and stable. The suitability of the venue and the weather conditions is agreed in advance.

Microphones and sound reinforcement

Amplified performances require 8 orchestra microphones in total:
1 wireless instrument microphone for the lead violinist
2 clip-on microphones for the cimbalom
1 for the second violin
1 for the viola
1 for the clarinet
1 for the double bass
1 for the cello

Microphone types and mounting for the remaining instruments, stands, cabling and the final input list are agreed with the venue technician.

Microphones for guest singers or other additional performers are agreed separately and are additional to these 8 microphones.

A concert hall with suitable acoustics may allow an unamplified performance. Amplification is required in theatre venues and outdoors. The organiser provides a suitable PA system and sound technician.

Stage monitor placement

1 stage monitor is required in a suitable position agreed in advance.

Exact positions, monitor mixes and levels are agreed with the venue technician.

Lighting and power supply

The organiser provides suitable stage lighting for the musicians. There are no fixed special lighting requirements; lighting is agreed to suit the venue and the event.

The venue technician plans power supplies, connections, distribution and cabling for the sound and lighting equipment. Cables must not obstruct the musicians or access to the stage.

Load-in, soundcheck and load-out

Indicative timings at the venue:
Loading in and moving into dressing rooms: approximately 35 minutes.
Setting up and adjusting the orchestra sound: approximately 35–40 minutes.
With a guest singer, allow an additional 10–15 minutes depending on their requirements.
Striking and loading out: approximately 45 minutes, including vacating dressing rooms.

No separate sound rehearsal is needed if the sound setup is satisfactory. These are general estimates; arrival, time allowances and changeovers between performers are agreed for the specific ensemble and event.

Travel, dressing room, hospitality and accommodation

The orchestra travels from Budapest. This ensemble travels with 7 musicians; any guest artists or accompanying organiser or manager are included in the total travelling party by separate agreement. We do not bring technical crew; the client provides the venue technician.

Performances are available throughout Hungary, abroad and on multi-day tours. Travel and instrument transport arrangements are set out in the quotation. Please provide loading access and parking as close to the venue as possible.

The organiser provides dressing rooms suitable for the number of musicians. We request mineral water, soft drinks and coffee; sandwiches for longer journeys; and a hot dinner after the concert.
For distant venues or multi-day tours, the client provides accommodation. Room allocation, the number of nights and individual catering needs are agreed in advance.

Enquiries and booking terms

Each performance is quoted individually. Please include the proposed date, venue, event type, chosen ensemble and required playing time in your enquiry. Where possible, contact us one to two months before the event.

The performance is confirmed once both parties have signed the contract. Public announcements may follow confirmation.

Travel and instrument transport may be included in the quotation as agreed. The client provides any required accommodation and covers the fees of requested guest artists. Technical services and other commitments are recorded in the quotation and contract, together with payment, cancellation and weather terms.

Photography, recording and broadcasting

Concert photography, audio or video recording and live streaming are possible by prior mutual agreement between the orchestra and the organiser. Proposed recording, use and publication arrangements must be agreed with Lajos Baranyai.

Contact

Contact for bookings and artistic, organisational or technical enquiries: Lajos Baranyai.

Please use the contact details or booking enquiry form on the Contact page of our website. Arrangements are discussed in Hungarian; assistance is provided for enquiries in other languages.

Instrumentation

The number of musicians and instrumental line-up are agreed according to the programme, occasion, venue and available players. Participation of the lead violinist, string sections, cimbalom and clarinet is set out in the accepted quotation. Guest artists may be arranged separately.

Programme formats and repertoire

We offer standalone stage concerts, festive and themed programmes, cultural events, school demonstrations, background music for events and accompaniment for dancing. The programme is tailored to the occasion, the audience and the booking request.

The repertoire includes traditional Hungarian Gypsy music, csárdás, Hungarian dances, operetta selections and popular classical works. Examples: Ferenc Erkel – Palotás; Brahms – Hungarian Dances; Franz Liszt – Hungarian Rhapsody No. 2; Johann Strauss – The Blue Danube; Vittorio Monti – Csárdás; Grigoraș Dinicu – The Lark.

Individual programme requests, guest artists and the named performers to be advertised are agreed in advance.

Playing time and intervals

Shorter event or demonstration programme: usually 45 minutes.

Standalone concert: usually two 45-minute sets with a 15-minute interval; approximately 105 minutes in total.

The exact playing time, number of sets and breaks are agreed to suit the event.

Stage arrangement

The recommended stage dimensions and arrangement are determined by the final number of musicians, instruments and venue. This ensemble has no fixed seating graphic, technical stage drawing or 3D visualisation; the agreed arrangement is described in writing.

The stage must be dry, stable and safely accessible. Allow sufficient space for playing and clear access routes. Loading access and any risers are agreed separately.

Chairs and other equipment

The number of armless chairs and standing positions is determined by the final instrumental line-up. The organiser provides the chairs. Music stands are used only by prior request; their number and any other furniture requirements are agreed separately.

Outdoor requirements

A covered stage is required for every outdoor performance. In windy conditions or light rain, enclosed sides must protect the musicians and their instruments.

Outdoor performances with the acoustic instruments are not possible at temperatures below 18 °C. The stage must remain dry and stable. The suitability of the venue and the weather conditions is agreed in advance.

Microphones and sound reinforcement

Microphone numbers, allocation by instrument and types are determined for the final ensemble and venue. Guest artists’ microphone requirements are recorded separately. Stands, cabling and the input list are agreed with the venue technician.

A concert hall with suitable acoustics may allow an unamplified performance. Amplification is required in theatre venues and outdoors. The organiser provides a suitable PA system and sound technician.

Stage monitor placement

Stage monitor numbers, positions and monitor mixes are agreed with the technician according to the final ensemble and the facilities at the venue.

Lighting and power supply

The organiser provides suitable stage lighting for the musicians. There are no fixed special lighting requirements; lighting is agreed to suit the venue and the event.

The venue technician plans power supplies, connections, distribution and cabling for the sound and lighting equipment. Cables must not obstruct the musicians or access to the stage.

Load-in, soundcheck and load-out

Indicative timings at the venue:
Loading in and moving into dressing rooms: approximately 35 minutes.
Setting up and adjusting the orchestra sound: approximately 35–40 minutes.
With a guest singer, allow an additional 10–15 minutes depending on their requirements.
Striking and loading out: approximately 45 minutes, including vacating dressing rooms.

No separate sound rehearsal is needed if the sound setup is satisfactory. These are general estimates; arrival, time allowances and changeovers between performers are agreed for the specific ensemble and event.

Travel, dressing room, hospitality and accommodation

The orchestra travels from Budapest. The total travelling party is agreed according to the confirmed ensemble, guest artists and any accompanying organiser or manager. We do not bring technical crew; the client provides the venue technician.

Performances are available throughout Hungary, abroad and on multi-day tours. Travel and instrument transport arrangements are recorded in the quotation. Please provide loading access and parking as close to the venue as possible.

The organiser provides dressing rooms suitable for the number of musicians. We request mineral water, soft drinks and coffee; sandwiches for longer journeys; and a hot dinner after the concert. For distant venues or multi-day tours, the client provides accommodation. Room allocation, the number of nights and individual catering needs are agreed in advance.

Enquiries and booking terms

Each performance is quoted individually. Please include the proposed date, venue, event type, chosen ensemble and required playing time in your enquiry. Where possible, contact us one to two months before the event.

The performance is confirmed once both parties have signed the contract. Public announcements may follow confirmation.

Travel and instrument transport may be included in the quotation as agreed. The client provides any required accommodation and covers the fees of requested guest artists. Technical services and other commitments are recorded in the quotation and contract, together with payment, cancellation and weather terms.

Photography, recording and broadcasting

Concert photography, audio or video recording and live streaming are possible by prior mutual agreement between the orchestra and the organiser. Proposed recording, use and publication arrangements must be agreed with Lajos Baranyai.

Contact

Contact for bookings and artistic, organisational or technical enquiries: Lajos Baranyai.

Please use the contact details or booking enquiry form on the Contact page of our website. Arrangements are discussed in Hungarian; assistance is provided for enquiries in other languages.